The terminus of the High Line at the West Side Rail Yards, part of the third and final section of the elevated rail line to be added to New York’s favorite, not-quite-new-anymore public park and the site of new art installation. Photos and Text by Laura Tepper, except as noted.
A Walk to the End of the Line: The (Almost) Untouched, Third Section of the High Line Is Open for Previews
The northernmost and last unfinished section of New York’s acclaimed High Line park won’t open to the public in earnest for at least another year, but this summer small groups of lucky ticketholders have the opportunity to experience the 300-yard stretch of urban wilderness in the raw. High Line park rangers are leading visitors on a series of sold-out walks along the yet-undeveloped site known as the “High Line at the Rail Yards” or simply as “Section 3.” The tours occur under the premise of previewing “Caterpillar” a site-specific sculpture installation created by Brooklyn-based artist Carol Bove. However, the landscape itself steals the show.
The High Line, of course, is a wildly successfully public parkbuilt atop a 1.2 mile-long decommissioned elevated freight rail structure that runs along Manhattan’s west side. Sections 1 and 2 of the park weave through the Meatpacking District and Chelsea between Gansevoort and 30th streets and attract so many visitors, both locals and tourists, that it can be hard to move through the more narrow sections of the park.
A crowd herds slowly through a tapered part of Section 2
Sunbathers vie for seats on the custom rolling lounge chairs of Section 1 (Image courtesy of James Corner Field Operations)
Section 3 begins at 30th Street where the completed sections of the park end. Continue reading →
We are excited to announce the launch of the latest issue of the Landscape Urbanism Journal – Scenario 3: Rethinking Infrastructure! Crafted by Editors-in-Chief Stephanie Carlisle and Nicholas Pevzner of the the newly-named Scenario Journal, Issue 4 looks at the pressing questions of how infrastructure of the next century will be imagined and built. As the co-editors write,
“Infrastructure underlies and shapes urban growth, yet for the most part exists outside the realm of design discussions, tucked below ground or hiding in plain sight. Long fascinated with complex, dynamic powerful systems, designers are finally turning their attention to the potential of infrastructure as fertile conceptual territory.With the pressing issues of climate change, financial malaise, unemployment and failures of governance, it is clear that the old approach to infrastructure — heroic but expensive, brittle, and difficult to maintain — will not be possible for too much longer. How do we ensure that the urgent conversation about the design and conception of infrastructure is a multidisciplinary project? How do we move beyond the buzzwords of green infrastructure, soft systems, and eco-engineering, in order to create a landscape infrastructure that is robust enough for the challenging times ahead?”
“Support the arts through asset-building. Capture the energy of people going about their day. Make a difference in a community you know. Map everything. Design for generational diversity. Listen to your ecosystem.”
These ideas and others are part of 50 Ideas for the New City by Urban Omnibus and the Architecture League of New York. An open event and a “showcase for good ideas for the future of cities.” Do you have a project that captures (or executes) one of these ideas? As they write in their manifesto, “We hope, in some small way, we can help re-enchant the urban environment as a landscape of possibility, a realm of action and intention, and a place that represents — and deserves — a long and evolving history of creative ideas.” Check out the posters, below, also created by Urban Omnibus.
Two gorgeous full-color hardback books just crossed the desk of Landscape Urbanism and we can’t wait to share them with you. The first, Landprints: The Landscape Designs of Bernard Trainorcelebrates the work of Australian-born landscape designer Bernard Trainor, whose large-scale gardens, airy hilltops and gorgeous hillsides focus on “simple, understated frames to rugged natural panoramas.” While a book only captures the visual aesthetic of the landscape (and as with any photograph, can’t fully capture the sensory essence of being within a landscape) –the photographic work by Jason Liske captures the raw aesthetic beauty of the space and the timeless nature of the designs. The book makes us want to jump in a car and take a slow road trip just to experience each of these places.
You could shlepp your metal water bottle all over town. You could buy a three dollar plastic water bottle to throw into a landfill for the next million years. Or: you could count on a network of convenient, eco-friendly drinking fountains.
Water from a drinking fountain is arguably the best possible thing for a human to drink. With zero calories, sugar or chemicals, water is the foundation of life as we know it. Water from drinking fountains is tested to city health standards, which are higher than the standards required for bottled water. Drinking fountains (also known, in regional variations, as water fountains or bubblers) reduce dependence on the environmentally degrading plastic bottles for water and sodas (millions of which are thrown away every year). They save people money, too: according to the Pacific Institute, “total consumer expenditures for bottled water are approximately $100 billion per year.” Continue reading →
In the last post, we asked what it took to create a national park on the scale of the Golden Gate National Recreation area. In a joint effort by The Cultural Landscape Foundation and a multitude of volunteers and contributors, a 30-minute documentary explores these questions. Take a look:
Conversations with the Stewards and Designers of the Golden Gate National Parks
What does it take to create nationally-recognized landscapes like the Presidio and the Golden Gate National Parks in San Francisco, CA? The answer is more than just one designer, planner, steward, or advocate–and a lot longer than a decade. On April 4th, the Cultural Landscape Foundation honored the “exceptional number of Bay Area stewards and designers” that have played pivotal roles in creating and shaping this landscape over many decades, including three key leadership organizations: The Golden Gate National Parks Conservancy, The Presidio Trust, and The National Park Service.
Here are some of the photographs of the Presidio and Golden Gate National Recreation Areas, documented by SWA Group’s Principal Photographer, Tom Fox:
What does it mean for design to improve society and the environment? This weekend’s Compostmodern: Resilience conference in San Francisco brings together designers, entrepreneurs, scientists, and architects to talk about design’s role in creating a more resilient world.
The list of speakers includes David McConville, Cheryl Dahle, Adam Werbach, Alex Gilliam, Terry Irwin, John Bielenberg and many more–and the conversation topics and short-form presentations will include discussions of resilience, design, innovation, composting, social change, and living in a connected world. What does it mean to design with systems thinking and social responsibility at the top of mind? How do recycling, composting, and social change fit together? What can we learn from modeling living systems as inspirations for complex design? Why do most products create so much waste? How can we learn from the patterns of the universe to design strategies that effectively address complex problems?
Join Landscape Urbanism at the event this Friday and Saturday, and watch for our blogging coverage of the event.
Want to design your own street, or quickly show someone what variations in Right-Of-Way (ROW) do to your street? Code For America graduates, in a January 2013 hackathon, created an online drag-and-drop street builder that lets you place various street elements in different spaces, and adjusting the ROW to desired traffic (and pedestrian, and biking) levels. The project states that one of the goals is to “be a part of the national conversation around Complete Streets, or the Project for Public Spaces’ Rightsizing Streets Guide.”
A quick version created with more generous tree sizes.
Designed in part by the desire to increase real-time engagement at community planning meetings, the fellows describe the project as “in the spirit of free software,” and encourage everyone to try it out and comment or suggest new features to help improve its usability.
“By creating an web-based version of this activity, planners can reach a wider audience than they could at meetings alone, and allow community members to share and edit each other’s creations.”
This app is a work in progress, and in a very early stage. Try it out for yourself at StreetMix.Net.
What is the language of measuring cities, landscapes, or human behaviors? Urban Omnibus put forth a call for essays on “Fuzzy Math,” inviting writers “to infuse the quantitative language that pervades environmental understanding with narrative, theory, history, or humor.”
Beyond the metrics we already use to measure our cities, what are we missing? What ways can we quantify and measure actions, behaviors, politics, engagement, economics, and life in a city? What unseen dimensions and spatial parameters are critical for well-being (or quirkiness) within a city?
“Meanwhile, the cost of some of what we consume in cities – like real estate – is reflected in its price structure, yet a lot of it – like parking, parks, or pollution – is not. Even if the environmental benefits of urban density are starting to be understood, an accepted calculus of a city’s externalities remains far from precise, subsumed in a metaphorical language of carbon footprints or numerical valuations like LEED.”
“So let’s put it in personal terms. How do you measure your behavior: In rent? In square feet? The number of laps run around the park? MetroCard swipes? Brand of lightbulb? The distance food travels to end up on your plate? What are urban public goods – drinking water, open space, public access television, fireworks displays – worth to you?”
Deadline: Friday, March 22nd, 5:00PM EST.
See the call for submissions at Urban Omnibus.