On Thursday, June 27th, the Gardner Museum in Boston opened it’s latest exhibit: Composite Landscapes: Photomontage and Landscape Architecture, hosted in the Hostetter Gallery. With contributions from Richard Weller, James Corner, Yves Brunier, Gary Hilderbrand, Adriaan Geuze and many, many more, the exhibit focuses on landscape architecture’s use of photomontage as one of our key representational forms.
“These composite views reveal practices of photomontage depicting the conceptual, experiential, and temporal dimensions of landscape. The first exhibition of its kind in North America, Composite Landscapes illustrates the analog origins of a method now rendered ubiquitous through digital means. In revisiting the composite landscape view as a cultural form, Composite Landscapes illuminates the contemporary status of the photographically constructed image for the design disciplines, and beyond.”
How is it that designers render ideas and show them to clients? What are the best tools for communication, visualization, and imagination? Andrea Hansen, assistant curator, shared a few previews of the exhibit’s pieces with Landscape Urbanism:
Yves Brunier. Museumpark Rotterdam. Three men and a dog walking (1989-1993)
Gary Hilderbrand. Glass House Reflections II (2012)
Composite Landscapes: Photomontage and Landscape Architecture is curated by Charles Waldheim, Ruettgers Consulting Curator of Landscape with Assistant Curator Andrea Hansen. The exhibit will be open until September 2.