7

Power

Fall 2019

Edited by Nicholas Pevzner & Stephanie Carlisle

Infrastructure is always political, and energy transitions have always been contested, pitting established players against upstart technologies and new coalitions. How can a radical reimagining of energy infrastructure create opportunities for an inclusive and participatory conversation about climate change and social justice? Who has the power to talk about infrastructure, and who gets left out?
Introduction: Power
Nicholas Pevzner & Stephanie Carlisle
Community Power As Provocation: Local Control For Resilience And Equity
José Juan Terrasa-Soler and Daniela Lloveras-Marxuach
Our Energy For Our Country
Arturo Massol-Deyá
Speculative Designs For Energy Democracy
Nicholas Pevzner
The TVA, Fuzzy Spaces Of Power, And Other Purposes
Micah Rutenberg
The Missouri River Basin: Water, Power, Decolonization, And Design
Kees Lokman
Power Plant Power
Salvador Lindquist and Eric Minton
Arctic Present: The Case Of Teriberka
Viktoria Khokhlova
Coal Ash Wastescapes: The Byproduct Of Our Coal-Fired Power Dependency
Lauren Delbridge
Biomass For All: Designing An Inclusive Biomass Infrastructure
Julie Marin, Charlotte Timmers and Bruno De Meulder
China’s Giant Transmission Grid Could Be The Key To Cutting Climate Emissions
James Temple
2050 – An Energetic Odyssey: Persuasion By Collective Immersion
Dirk Sijmons and Maarten Hajer
The Blue Lagoon: From Waste Commons To Landscape Commodity
Catherine De Almeida
Territory Of Extraction: The Crude North
Michael W. Smith
Daylighting Conflict: Board Games As Decision-Making Tools
Janette Kim

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Issues

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Water Proving Ground
Banyoles
Promenada
Living With Water
The Packard Belt
Hydrofutures
Sea Quilt
Infrasurface
Carbon T.A.P.
National HEDGE
Urban Regeneration: Foresting Vacancy In Philadelphia

Invasive Species

Popular

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    Waste legibility can be an asset shared by active power generating operations, a novel ecological community, and recreational uses. At the Blue Lagoon, the formalization of a wasteland commons created instead a high-end, privatized spa that conceals the underlying landscape and its unique conditions.

    The Performative Ground: Rediscovering The Deep Section

    by Stephanie Carlisle and Nicholas Pevzner

    The landscape we see happens above ground, yet much of its true intelligence lies beneath the surface.

    Water Proving Ground

    by Stephanie Carlisle

    What if the projected inundation of the urban edge by rising sea levels catalyzed a rethinking of the productive interplay between land and water? LTL addressed this question as one of five firms selected by the Museum of Modern Art to participate in the workshop and exhibition Rising Currents: Projects for New York’s Waterfront.

    Made in Australia: The Future of Australian Cities

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    The Australian population is increasing at a rate of one person every 84 seconds. Taking population growth seriously means planning for an extra 40 million Australians by century’s end.

    Brooklyn Bridge Park

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    Currently under construction, Brooklyn Bridge Park will eventually encompass approximately eighty-five acres and 1.3 miles of the previously industrial waterfront directly across from downtown Manhattan.

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    Data visualization tells us stories about how, what, and why things are happening. Information that is clearly presented shapes how we behave and directs future decisions. At the same time, information can be overwhelming and confusing.

    Yangtze River Delta Project

    by Catherine Seavitt

    Coastal urban estuaries are dynamic sites. These sedimentary terrains must be reconsidered at the infrastructural scale to create a more resilient and adaptive landscape, a system that dynamically responds to the increasing risks of the coastal environment.

    Exhibit: Lebbeus Woods at The Drawing Center

    by Stephanie Carlisle and Nicholas Pevzner

    LEBBEUS WOODS, ARCHITECT, on exhibit at The Drawing Center in New York, traces the career of Lebbeus Woods, a visionary architect whose responses to the sites of trauma have given us haunting designs — intricate, beautiful, full of memory, and ultimately optimistic.

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    The High Line: Section 1

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